But I was always a big fan of their black and white films, especially Tri-X 400 (I loved its subtle grain and its forgiving nature when it came to my usual less-than-disciplined developing practices. It was also really fun to drop it into developers like TMAX, HC-110...other than the usual D-76...to bring out more grain or more contrast) and some color transparency films. But I never did care for the color negative films - maybe it was me but the saturation always seemed....cartoonish...at least when photographing people. I usually got much more pleasing results from the Fuji color negative and positive films.
Not sure what this means for the company's future. I hope they can emerge from bankruptcy and still manage to provide products for that dwindling segment of the photography market that still uses film (mostly the art community, I'd assume). I mean, come on! These people democratized and popularized photography, took it from something huge, heavy, arcane and complicated to something even the average man, woman or child could use!
Good luck, Kodak. May the Tri-X be with you...

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